HANNAH SAGE KAY


...IS AN ARTS WRITER AND CRITIC FROM NEW YORK WHO STUDIED MODERN AND CONTEMPORARY ART AT NYU’S INSTITUTE OF FINE ARTS AND BARD COLLEGE. SHE HAS HELD POSITIONS AT HAUSER & WIRTH, THE MIKE KELLEY FOUNDATION FOR THE ARTS, ELECTRONIC ARTS INTERMIX, THE SOLOMON R. GUGGENHEIM MUSEUM, THE JEWISH MUSEUM, AND FORMERLY SERVED AS CO-EDITOR OF THE IFACONTEMPORARY. HER RESEARCH FOCUSES ON THE INTERSECTION OF ART AND POLITICS WITH REGARD TO MEDIA MANIPULATION, MISINFORMATION, AND THE CONSTRUCTION OF FICTIONALIZED (OR ALTERNATE) HISTORIES. 

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DEC 2024 | Interview
MANUEL ALEJANDRO RODRÍGUEZ-DELGAGO, BOMB

NOV 2024 | Review
CARL CHENG: NATURE NEVER LOSES, The Brooklyn Rail

SEPT 2024 | Review
GHOST IN THE SCREEN: GENERAL MAGIC AT THE FULCRUM PRESS, Variable West

JUL 2024 | Review
ANOTHER KIND OF PRESCIENCE, Los Angeles Review of Books

APR 2024 | Feature
ZARINA NARES: CRONE STAR, Autre

MAR 2024 | Review
PAUL PFEIFFER AT THE MUSEUM OF CONTEMPORARY ART LOS ANGELES, Carla

FEB 2024 | Feature
LOS ANGELES’ ARTIST-RUN SPACES OFFER BOLD IDEAS AND MUTUAL HELP, Financial Times

DEC 2023 | Review
BRODY ALBERT: EMPTY, EXCEPT FOR THE GHOST, Autre 

OCT 2023 | Review
TANYA BRODSKY & JOSHUA SCHAEDEL, Artforum

OCT 2023 | Review
ARYANA MINAI: ROSES IN A GARDEN OF RUINS, Autre

SEPT 2023 | Review
JEFF WEBER: IMAGE STORAGE CONTAINERS, The Brooklyn Rail

SEPT 2023 | Review
THE GELATINOUS ABJECTION OF MIRE LEE’S BLACK SUN @ NEW MUSEUM INVARIABLY TURNS US ON, Autre

SEPT 2023 | Preview
THREE SHORT BLOCKS, Screen Slate

AUG 2023 | Feature
FILL IN THE BLANK, Mekong Review Asian Literature

JUL-AUG 2023 | Review
MANUEL ALEJANDRO RODRÍGUEZ-DELGADO: POUVENIR/PORTÁIL, The Brooklyn Rail

JUL 2023 | Review
GARY SIMMONS: PUBLIC ENEMY, The Brooklyn Rail

JUL 2023 | Profile
THE UKRANIAN MUSEUM SPOTLIGHTS ABSTRACT EXPRESSIONIST PIONEER JANET SOBEL, ARTnews

MAY 2023 | Review
JOSHUA MILLER: YESTERDAYS CAMEL, Artforum

APR 2023 | Review
ANNA UDDENBERG: CONTINENTAL BREAKFAST, The Brooklyn Rail

NOV 2022 | Feature
AN ARTIST SENT HUNDREDS OF POSTCARDS TO ART WORLD LUMINARIES, ARTnews

JUL-AUG 2022 | Review
KLAMMERN AUS DENEN BLÄTTER SPRIEßEN, The Brooklyn Rail

MAY 2022 | Review
FRANK BOWLING: LONDON / NEW YORK, Nka Jounral of Contemporary African Art

MAY 2022 | Review
SHARON LOCKHART AT GLADSTONE, Voices in Contemporary Art

NOV 2021 | Review
GRIEF AND GRIEVANCE: ART AND MOURNING IN AMERICA, Nka Jounral of Contemporary African Art

OCT 2021 | Review
LOUISE LAWLER: LIGHTS OFF, AFTER HOURS, IN THE DARK, The Brooklyn Rail
SEPT 2021 | Review
LYNN HERSHMAN LEESON: TWISTED, The Brooklyn Rail

AUG 2021 | Review
ALL LIGHT, EVERYWHERE, Voices in Contemporary Art

JUL-AUG 2021 | Review
MADELINE HOLLANDER: FLATWING, The Brooklyn Rail

JUL 2021 | Exhibition Text
FOOL ME TWICE, Multiples at Angels Gate Cultural Center

APR 2021 | Review
DON EDLER: DEVIL YOU KNOW, Voices in Contemporary Art

FEB 2021 | Interview
ERIC GOH ON MUTUAL AID AND FRIENDSHIP AS A PATHWAY OUT OF DISASTER, IFAcontemporary

NOV 2020 | Review
JORDAN CASTEEL: WITHIN REACH, Nka: Journal of Contemporary African Art

NOV 2020 | Review
COLLEEN HARGADEN: STRATEGIES FOR INHABITING A DAMAGED PLANET, Carla

DEC 2018 | Exhibition Text
THIS MESSAGE HAS NO CONTENT, Roger’s Office

MAY 2018 | Review
STORIES OF ALMOST EVERYONE, The Brooklyn Rail

MAR 2018 | Exhibition Text
GARNISH BOYS & MAYPOLE, Roger’s Office

DEC 2017 | Review
MIKE KELLEY: KANDORS 1999-2011, The Brooklyn Rail

APR 2017 | Review
DOUG WHEELER: PSAD SYNTHETIC DESERT III, The Brooklyn Rail

OCT 2016 | Review
TAKE ME (I’M YOURS), The Brooklyn Rail