DEC 2024 | Interview
MANUEL ALEJANDRO RODRÍGUEZ-DELGAGO, BOMB
NOV 2024 | Review
CARL CHENG: NATURE NEVER LOSES, The Brooklyn Rail
SEPT 2024 | Review
GHOST IN THE SCREEN: GENERAL MAGIC AT THE FULCRUM PRESS, Variable West
JUL 2024 | Review
ANOTHER KIND OF PRESCIENCE, Los Angeles Review of Books
APR 2024 | Feature
ZARINA NARES: CRONE STAR, Autre
MAR 2024 | Review
PAUL PFEIFFER AT THE MUSEUM OF CONTEMPORARY ART LOS ANGELES, Carla
FEB 2024 | Feature
LOS ANGELES’ ARTIST-RUN SPACES OFFER BOLD IDEAS AND MUTUAL HELP, Financial Times
DEC 2023 | Review
BRODY ALBERT: EMPTY, EXCEPT FOR THE GHOST, Autre
OCT 2023 | Review
TANYA BRODSKY & JOSHUA SCHAEDEL, Artforum
OCT 2023 | Review
ARYANA MINAI: ROSES IN A GARDEN OF RUINS, Autre
SEPT 2023 | Review
JEFF WEBER: IMAGE STORAGE CONTAINERS, The Brooklyn Rail
SEPT 2023 | Review
THE GELATINOUS ABJECTION OF MIRE LEE’S BLACK SUN @ NEW MUSEUM INVARIABLY TURNS US ON, Autre
MANUEL ALEJANDRO RODRÍGUEZ-DELGAGO, BOMB
NOV 2024 | Review
CARL CHENG: NATURE NEVER LOSES, The Brooklyn Rail
SEPT 2024 | Review
GHOST IN THE SCREEN: GENERAL MAGIC AT THE FULCRUM PRESS, Variable West
JUL 2024 | Review
ANOTHER KIND OF PRESCIENCE, Los Angeles Review of Books
APR 2024 | Feature
ZARINA NARES: CRONE STAR, Autre
MAR 2024 | Review
PAUL PFEIFFER AT THE MUSEUM OF CONTEMPORARY ART LOS ANGELES, Carla
FEB 2024 | Feature
LOS ANGELES’ ARTIST-RUN SPACES OFFER BOLD IDEAS AND MUTUAL HELP, Financial Times
DEC 2023 | Review
BRODY ALBERT: EMPTY, EXCEPT FOR THE GHOST, Autre
OCT 2023 | Review
TANYA BRODSKY & JOSHUA SCHAEDEL, Artforum
OCT 2023 | Review
ARYANA MINAI: ROSES IN A GARDEN OF RUINS, Autre
SEPT 2023 | Review
JEFF WEBER: IMAGE STORAGE CONTAINERS, The Brooklyn Rail
SEPT 2023 | Review
THE GELATINOUS ABJECTION OF MIRE LEE’S BLACK SUN @ NEW MUSEUM INVARIABLY TURNS US ON, Autre
SEPT 2023 | Preview
THREE SHORT BLOCKS, Screen Slate
AUG 2023 | Feature
FILL IN THE BLANK, Mekong Review Asian Literature
JUL-AUG 2023 | Review
MANUEL ALEJANDRO RODRÍGUEZ-DELGADO: POUVENIR/PORTÁIL, The Brooklyn Rail
JUL 2023 | Review
GARY SIMMONS: PUBLIC ENEMY, The Brooklyn Rail
JUL 2023 | Profile
THE UKRANIAN MUSEUM SPOTLIGHTS ABSTRACT EXPRESSIONIST PIONEER JANET SOBEL, ARTnews
MAY 2023 | Review
JOSHUA MILLER: YESTERDAYS CAMEL, Artforum
APR 2023 | Review
ANNA UDDENBERG: CONTINENTAL BREAKFAST, The Brooklyn Rail
NOV 2022 | Feature
AN ARTIST SENT HUNDREDS OF POSTCARDS TO ART WORLD LUMINARIES, ARTnews
JUL-AUG 2022 | Review
KLAMMERN AUS DENEN BLÄTTER SPRIEßEN, The Brooklyn Rail
MAY 2022 | Review
FRANK BOWLING: LONDON / NEW YORK, Nka Jounral of Contemporary African Art
MAY 2022 | Review
SHARON LOCKHART AT GLADSTONE, Voices in Contemporary Art
NOV 2021 | Review
GRIEF AND GRIEVANCE: ART AND MOURNING IN AMERICA, Nka Jounral of Contemporary African Art
OCT 2021 | Review
LOUISE LAWLER: LIGHTS OFF, AFTER HOURS, IN THE DARK, The Brooklyn Rail
THREE SHORT BLOCKS, Screen Slate
AUG 2023 | Feature
FILL IN THE BLANK, Mekong Review Asian Literature
JUL-AUG 2023 | Review
MANUEL ALEJANDRO RODRÍGUEZ-DELGADO: POUVENIR/PORTÁIL, The Brooklyn Rail
JUL 2023 | Review
GARY SIMMONS: PUBLIC ENEMY, The Brooklyn Rail
JUL 2023 | Profile
THE UKRANIAN MUSEUM SPOTLIGHTS ABSTRACT EXPRESSIONIST PIONEER JANET SOBEL, ARTnews
MAY 2023 | Review
JOSHUA MILLER: YESTERDAYS CAMEL, Artforum
APR 2023 | Review
ANNA UDDENBERG: CONTINENTAL BREAKFAST, The Brooklyn Rail
NOV 2022 | Feature
AN ARTIST SENT HUNDREDS OF POSTCARDS TO ART WORLD LUMINARIES, ARTnews
JUL-AUG 2022 | Review
KLAMMERN AUS DENEN BLÄTTER SPRIEßEN, The Brooklyn Rail
MAY 2022 | Review
FRANK BOWLING: LONDON / NEW YORK, Nka Jounral of Contemporary African Art
MAY 2022 | Review
SHARON LOCKHART AT GLADSTONE, Voices in Contemporary Art
NOV 2021 | Review
GRIEF AND GRIEVANCE: ART AND MOURNING IN AMERICA, Nka Jounral of Contemporary African Art
OCT 2021 | Review
LOUISE LAWLER: LIGHTS OFF, AFTER HOURS, IN THE DARK, The Brooklyn Rail
SEPT 2021 | Review
LYNN HERSHMAN LEESON: TWISTED, The Brooklyn Rail
AUG 2021 | Review
ALL LIGHT, EVERYWHERE, Voices in Contemporary Art
JUL-AUG 2021 | Review
MADELINE HOLLANDER: FLATWING, The Brooklyn Rail
JUL 2021 | Exhibition Text
FOOL ME TWICE, Multiples at Angels Gate Cultural Center
APR 2021 | Review
DON EDLER: DEVIL YOU KNOW, Voices in Contemporary Art
FEB 2021 | Interview
ERIC GOH ON MUTUAL AID AND FRIENDSHIP AS A PATHWAY OUT OF DISASTER, IFAcontemporary
NOV 2020 | Review
JORDAN CASTEEL: WITHIN REACH, Nka: Journal of Contemporary African Art
NOV 2020 | Review
COLLEEN HARGADEN: STRATEGIES FOR INHABITING A DAMAGED PLANET, Carla
DEC 2018 | Exhibition Text
THIS MESSAGE HAS NO CONTENT, Roger’s Office
MAY 2018 | Review
STORIES OF ALMOST EVERYONE, The Brooklyn Rail
MAR 2018 | Exhibition Text
GARNISH BOYS & MAYPOLE, Roger’s Office
DEC 2017 | Review
MIKE KELLEY: KANDORS 1999-2011, The Brooklyn Rail
APR 2017 | Review
DOUG WHEELER: PSAD SYNTHETIC DESERT III, The Brooklyn Rail
OCT 2016 | Review
TAKE ME (I’M YOURS), The Brooklyn Rail
LYNN HERSHMAN LEESON: TWISTED, The Brooklyn Rail
AUG 2021 | Review
ALL LIGHT, EVERYWHERE, Voices in Contemporary Art
JUL-AUG 2021 | Review
MADELINE HOLLANDER: FLATWING, The Brooklyn Rail
JUL 2021 | Exhibition Text
FOOL ME TWICE, Multiples at Angels Gate Cultural Center
APR 2021 | Review
DON EDLER: DEVIL YOU KNOW, Voices in Contemporary Art
FEB 2021 | Interview
ERIC GOH ON MUTUAL AID AND FRIENDSHIP AS A PATHWAY OUT OF DISASTER, IFAcontemporary
NOV 2020 | Review
JORDAN CASTEEL: WITHIN REACH, Nka: Journal of Contemporary African Art
NOV 2020 | Review
COLLEEN HARGADEN: STRATEGIES FOR INHABITING A DAMAGED PLANET, Carla
DEC 2018 | Exhibition Text
THIS MESSAGE HAS NO CONTENT, Roger’s Office
MAY 2018 | Review
STORIES OF ALMOST EVERYONE, The Brooklyn Rail
MAR 2018 | Exhibition Text
GARNISH BOYS & MAYPOLE, Roger’s Office
DEC 2017 | Review
MIKE KELLEY: KANDORS 1999-2011, The Brooklyn Rail
APR 2017 | Review
DOUG WHEELER: PSAD SYNTHETIC DESERT III, The Brooklyn Rail
OCT 2016 | Review
TAKE ME (I’M YOURS), The Brooklyn Rail